Wrritten by Kanagaki Robun　 Illustrated by Ochiai Yoshiiku The shop sign indicates “spitchcocked catfish”. During the Edo period, catfish was eaten as a daily meal.

Large format horizontal one vertical 23.6 horizontal 33.1 Production time: unknown. No sign and seal The mud painting (Doroe), which was drawn with paint mixed with chalk (chalk) to poor pigment (pigment) called Doroenogu, as the first the time treasure calendar, of the craftsman painter until the first half of the 19th century around the a perspective that has been made by hand is a strong picture of the Western-style representation of the principal. Because there are many things that have been produced as glasses picture (Meganee), it may be referred to as the handwriting glasses picture other than the work that has been produced in copperplate and woodcut and mud picture. This picture has also been drawn to the left and right reverse shadow, you can see that those that have been produced for peep glasses. If you reverse the left and right in reverse, you can see that is a work of composition similar to the "Tokaido containing 'kyoka" primary Hiroshige. Please see the reverse image in the "You look at another of the image."

Edited by Shamon Insei 1759 (Houreki 9) The stories, .legends or the any contents related to the Enoshima Island were compiled in this two volume book with many illustrations. Various characteristics and episodes of Enoshima Island, such as its genesis that the island sprung out from the ocean were in this book. Also the legends and autobiographies of the various people especially the figures related to the religious trainers and a notable mystic En-no-Gyouja were all compiled in this book. There is a legend that Enoshima Island is connected to Mt. Fuji by a tunnel and in this book, there is also an episode note of “Nitta no Nukeana (the secret tunnel of Nitta)”. According to this note, “There used be a shape of hole at the southern rock wall of Yama Futasu (two mountains) in Enoshima Island but it disappeared today. It is said, Nitta no Tadatsune, who was a subject of the general Minamono-no Yoritomo, went into a tunnel that starts from Mt. Fuji and came out from the opening at the hillside of a mountain of Enoshima Island.”The place of the hole is also indicated at the map in the book.

Yaji and Kita bought a ladder by a woman merchant who insisted them to buy one. They carry the big ladder that becomes an obstacle when they walk in the city of Kyoto. One horizontal medium-format vertical 18.4 horizontal 25.0 Production time: spread first year (1860). Hanmoto: 當世Ya (Shinagawaya Kyusuke) This series has been made if the "Hizakurige in Tokaido" of Jippensha Ikku which was a big hit (Jippensha Ikku). Each is to inn Watarutsugi's, appeared north san, Kaoru several drew the journey seemed to unfold the two people in humorous, sentence 魯文 becomes the theme of each inn, it has noted funny conversations' kyoka Haiku and two people you.

Mibu Masanobu 1897 (Meiji 30) Beside the bronze Torii gate at the north entrance of the island, at the bottom of this picture, the sign reads “new land” indicating this place is the reclaimed ground that was established during Meiji period. At the both sides of the approach to the shrine, the names of inns and hotels, such as “Edo-ya”, “Sanuki-ya”, “Sakai-ya”, “Iwamoto-rou” and “Ebisu-ya” are seen. Going further through the second Torii Gate is a “School”. This is the Enoshima branch of Katase Elementary School, and there was a three story Buddhist pagoda during the Edo period (Today, the community center, Enoshima Shimin no Ie is located.). Going to the southern direction (to the upper part of the map) from the school, there is a “Fukuishi” a stone that a master therapist of acupuncture Sugiyama Kengyou stumbled and reached to the insight of the therapy. Going upward from the stone, there is “Hetsu-no-miya Shrine”. The neighbor of this shrine is “Yasaka Shrine”, and this shrine still exists today. Going eastward from “Hetsu-no-miya Shrine”, there is “Nakatsu-no-miya Shrine” and going even further to the southern direction, a western style building appears on the left. This building was considered a villa of Samuel Cocking, a merchant from Yokohama and he lived here during Meiji period. Going upward from the villa, there is a “Botanical Garden” enclosed with bricks (Today’s Samuel Cocking Garden). Going even further to the southern direction, there is “Okutsu-no-miya Shrine” and going down the steps, there are “Chigo-ga-fuchi“ abyss and “Miiwa (Iwaya)” sea cave. At the left side of the bronze Torii gate, at the bottom of this picture a fishing village “Higashi Machi” is extended. The “Shouten-jima Island” that was swelled out at the time of the Kantou Earthquake is illustrated as if it sticks out from the ocean.

Seikyou-dou The landscape of Enoshima Island is illustrated on the grid of drawing scale. This work suggests, the perspective drawing methods such as one point perspective that captures the articulate depth in the picture and painting methods such as golden section were already adopted by this time, as many Western cultures were introduced and adopted to Japanese culture from the Meiji period. In 1889, Tokyo School of Fine Arts was opened and the study of Western style painting rapidly progressed.