Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
Yaji is thrown off from his horse and hits his lower back. Kita laughs at him, saying that it is because he is always looking at young women walking ahead.

Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
Yaji, who sneaked into a woman’s room at night, realizes that he entered a wrong room and apologizes, but is thrown over by the angry woman and flips over to Kita, who is sleeping in the adjacent room, together with a sliding screen. Stunned, Kita is desperate to escape.

Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
This painting illustrates a woman who doesn’t let go of Yaji’s loincloth and Yaji who looks perplexed. The woman is asking Yaji, who is trying to leave quickly after a night together, to give five or six ryō of gold if he wants her to let him go.

Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
After crossing the Okitsu River, Kita is having his palm read by a fortune teller in Ejiri. Kita wants to know whether the woman he left in Edo has not changed her mind, and Yaji looks at him speechlessly.

Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
Yaji and Kita are carried on shoulders to cross the Okitsu River. As the Edo shogunate prohibited construction of bridges over rivers for defense purposes, people used to cross rivers with the help of coolies. Yaji is carried by a coolie on the left. He is frowning and seems to be arguing with the coolie. It turns out that the coolie’s back is hitting Yaji’s vital spot, and Yaji is in unbearable pain.

Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
Yaji and a rōnin samurai are exchanging words. Yaji is striking a pose like a kabuki actor. He seems to be asking the rōnin to give him some travel expenses. In the end, the two conclude “What you need is a good companion in journey and compassion in life.” The text in the painting says “▲Yaji ●Rōnin” at the end as signs that rationally divide the two’s lines, suggesting the speed of their dialogue.

Wrritten by Kanagaki Robun
Illustrated by Ochiai Yoshiiku
1860
Kita looks into a cauldron while telling the ancient Chinese tale of Sima Guang's breaking of the jar. In this story, child Sima Guang plays with his friends around an expensive and large water jar, but one of his friends falls into it. Sima Guang then broke the jar to save his friend, prepared to be scolded by his father, who actually praised him for saving life. Unlike Sima Guang, Kita is scolded for entering a cauldron related to Minamoto no Yoritomo by a man wearing an eboshi headgear.

Escrito por Kanagaki Robun
Ilustrado por Ochiai Yoshiiku
1860
Yaji and Kita are walking on a steep mountain path in Hakone Hachiri. In the Hakone scene of Ikku’s Tōkaidōchū Hizakurige, Kita says a joke while holding a torch. In the painting, a man dressed like a kabuki actor surprises Yaji and Kita. Hakone was famous as a resort with seven hot springs even during the Edo period. Hakone also had one of checkpoints established to defend Edo. It was known for its particularly strict control.