Artist: Utagawa Hiroshige The production date: 1844-47(Kouka era) From the left, the arc shaped Shichiri-ga-hama Beach is illustrated. In the distance, starting from the right, Mt. Oyama, Shichimen-zan, Tatsu-no-kuchi, Katase, Nanogo Beach, Mt. Fuji followed by Hakone, and Enoshima Island are illustrated. A woman illustrated in the middle is a traveler returned from the pilgrimage to Enoshima Island. She might visit the old temples of Kamakura afterword, moving toward to Kamakura by taking a route of Shichiri-ga-hama Beach. At the right, woman riding an ox leaded by a child, and her attendant follows by walk are illustrated. In the middle, a woman is gathering seashells. At the left,a traveler heading to the Enoshima Island is illustrated. A woman is about to take a rest and she is trying to get off from the palanquin. Beside the woman, a palanquin porter is wiping off the sweat and the other porter is preparing the zouri sandals for the lady.

Artist: Totoya Hokkei Production date: 1830-1844 (early Tempou era) No publisher’s seal In this series, the half of the pictures illustrate the motif of journey scenes and the travelers’ (In this work, travelers are the kyouka poets) expectation to the destination is illustrated using the famous places and the local specialties. In this work, a scene of travelers sitting closely to each other in a rainy day at Kawasaki’s Rokugou ferry is illustrated. The sudden rain is illustrated in lines of gindei (a pigment that contains silver) effectively produces the special mood of the scene. “Chronicle of a Journey to Enoshima” is a series of surimono that illustrated landscapes and products related to Enoshima Island. Surimono is high quality woodblock prints that include both kyouka poems (Comic verse composed of 31 syllables) and illustrations related to the poems. Since surimono was produced not for sale but made privately by the group of kyouka poets, the artists who produced the illustrations fully expressed their supreme talents and skills such as detailed curving techniques and high skill of the printing technique in a small format. The indications in the several works specify that there were originally 16 works in this series. However, only 14 works, “Takanawa, the starting point”, “Samezu”, “Omori”, “Kamata”, “Rokugou”, “Tsurumi”, “Kanagawa”, “Hamagawa”, “Shimo-no-miya”, “Kami-no-miya”, “Hongu”, “Chigo-ga-buchi”, “Manaita-iwa”, and “Ryudou” are currently discovered. This series was produced for the memory of kyouka poetry circle’s journey to Enoshia Island. The illustrations were produced by Totoya Hokkei and he was a pupil of Katsushika Hokusai. Hokkei was known for his premier talent with surimono, especially related to kyouka, and it is said his skill even surpassed that of Hokusai.

Artist: Totoya Hokkei Production date: 1830-1844 (early Tempou era) No publisher’s seal In this picture, a scene of a teahouse at a mountain pass is illustrated. A waitress is handing something to a traveler. It looks like the man with a humorous facial expression forgets his notebook at the teahouse. The word on the notebook, “shouro-kayoi” tells the viewers that they are the buyers of shouro (a mushroom like round shape small bacteria), a local specialty of Fujisawa post station and Shounan region. “Chronicle of a Journey to Enoshima” is a series of surimono that illustrated landscapes and products related to Enoshima Island. Surimono is high quality woodblock prints that include both kyouka poems (Comic verse composed of 31 syllables) and illustrations related to the poems. Since surimono was produced not for sale but made privately by the group of kyouka poets, the artists who produced the illustrations fully expressed their supreme talents and skills such as detailed curving techniques and high skill of the printing technique in a small format. The indications in the several works specify that there were originally 16 works in this series. However, only 14 works, “Takanawa, the starting point”, “Samezu”, “Omori”, “Kamata”, “Rokugou”, “Tsurumi”, “Kanagawa”, “Hamagawa”, “Shimo-no-miya”, “Kami-no-miya”, “Hongu”, “Chigo-ga-buchi”, “Manaita-iwa”, and “Ryudou” are currently discovered. This series was produced for the memory of kyouka poetry circle’s journey to Enoshia Island. The illustrations were produced by Totoya Hokkei and he was a pupil of Katsushika Hokusai. Hokkei was known for his premier talent with surimono, especially related to kyouka, and it is said his skill even surpassed that of Hokusai.

Artist: Totoya Hokkei Production date: 1830-1844 (early Tempou era) No publisher’s seal The卍 (manji ) mark illustrated at the upper part of the title was the emblem of the kyouka poets circle, and in this series, this mark is illustrated in every work. In this work, the mark is illustrated on the indigo handkerchief. Tsurumi’s local specialty yone-manju (a bun stuffed with sweet bean paste) is written in the kyouka poem of this picture. On the telescope, the pattern of bundou-tsunagi (continuous rod-measure weights pattern) is illustrated with kindei (a pigment that contains gold). “Chronicle of a Journey to Enoshima” is a series of surimono that illustrated landscapes and products related to Enoshima Island. Surimono is high quality woodblock prints that include both kyouka poems (Comic verse composed of 31 syllables) and illustrations related to the poems. Since surimono was produced not for sale but made privately by the group of kyouka poets, the artists who produced the illustrations fully expressed their supreme talents and skills such as detailed curving techniques and high skill of the printing technique in a small format. The indications in the several works specify that there were originally 16 works in this series. However, only 14 works, “Takanawa, the starting point”, “Samezu”, “Omori”, “Kamata”, “Rokugou”, “Tsurumi”, “Kanagawa”, “Hamagawa”, “Shimo-no-miya”, “Kami-no-miya”, “Hongu”, “Chigo-ga-buchi”, “Manaita-iwa”, and “Ryudou” are currently discovered. This series was produced for the memory of kyouka poetry circle’s journey to Enoshia Island. The illustrations were produced by Totoya Hokkei and he was a pupil of Katsushika Hokusai. Hokkei was known for his premier talent with surimono, especially related to kyouka, and it is said his skill even surpassed that of Hokusai.

Artist: Totoya Hokkei Production date: 1830-1844 (early Tempou era) No publisher’s seal Kanagawa The seafood materials such as an octopus, a sea bream , a globefish, a flounder and even a small crab are illustrated. The auberges of Kanagwa post station were famous for the fresh seafood. The trade name of Kangawa post station’s representative auberge ”Hanesawa” is written in red on the black tray that fishes are on. Chronicle of a Journey to Enoshima” is a series of surimono that illustrated landscapes and products related to Enoshima Island. Surimono is high quality woodblock prints that include both kyouka poems (Comic verse composed of 31 syllables) and illustrations related to the poems. Since surimono was produced not for sale but made privately by the group of kyouka poets, the artists who produced the illustrations fully expressed their supreme talents and skills such as detailed curving techniques and high skill of the printing technique in a small format. The indications in the several works specify that there were originally 16 works in this series. However, only 14 works, “Takanawa, the starting point”, “Samezu”, “Omori”, “Kamata”, “Rokugou”, “Tsurumi”, “Kanagawa”, “Hamagawa”, “Shimo-no-miya”, “Kami-no-miya”, “Hongu”, “Chigo-ga-buchi”, “Manaita-iwa”, and “Ryudou” are currently discovered. This series was produced for the memory of kyouka poetry circle’s journey to Enoshia Island. The illustrations were produced by Totoya Hokkei and he was a pupil of Katsushika Hokusai. Hokkei was known for his premier talent with surimono, especially related to kyouka, and it is said his skill even surpassed that of Hokusai.

Artist: Totoya Hokkei Production date: 1830-1844 (early Tempou era) No publisher’s seal The journey finally reaches to the destination and people are having a party in front of the landmark of Enoshima Island, Iwaya (A sea cave in Enoshima). There are many ukiyo-e works that illustrate the party scene of Enoshima, and this fact suggests the party actually took place quite often in Enoshima in reality. The distant views of Mt. Fuji and wave crashes are decorated with the silver pigment. “Chronicle of a Journey to Enoshima” is a series of surimono that illustrated landscapes and products related to Enoshima Island. Surimono is high quality woodblock prints that include both kyouka poems (Comic verse composed of 31 syllables) and illustrations related to the poems. Since surimono was produced not for sale but made privately by the group of kyouka poets, the artists who produced the illustrations fully expressed their supreme talents and skills such as detailed curving techniques and high skill of the printing technique in a small format. The indications in the several works specify that there were originally 16 works in this series. However, only 14 works, “Takanawa, the starting point”, “Samezu”, “Omori”, “Kamata”, “Rokugou”, “Tsurumi”, “Kanagawa”, “Hamagawa”, “Shimo-no-miya”, “Kami-no-miya”, “Hongu”, “Chigo-ga-buchi”, “Manaita-iwa”, and “Ryudou” are currently discovered. This series was produced for the memory of kyouka poetry circle’s journey to Enoshia Island.