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This is a travelling sugoroku game starting from Nihonbashi Bridge to the destination of Kyoto. Many side roads such as Kanazawa road starts from Hodogaya and Tostuka, Oyama Road starts from Yotsuya, Minobu Road extends across the Fuji River and Akiha Road starts from Kakegawa are illustrated. The Kanazawa Road starts from Noukendou, and going through the Kanazawa (Hakkei), Myojin of Seto Shrine, Koumyouji Temple, Tsurugaoka Shrine, Daibutsu (The Great Buddha), Yui-ga-hama Beach, Shichiri-ga-hama Beach, Enoshima Island and continues to Fujisawa. Oyama Street starts from Yotsuya to the destination of Odawara via Mae-Futou , Oyama-Sekison-Daigongen, Douryougu (Douryouson) and Saijou-ji Temple of Mt. Daiyuzan.

This work is a sugoroku board game depicting the Toukaidou Highway in spaces shaped like Japanese fans. The word Suehiro in the title refers to a Japanese fan. The starting point of this sugoroku is Nihonbashi, located in the lower right corner and the goal is Kyoto, located in the center. In each space a procession of people are depicted and in the space for Kyoto, a man wearing a sokutai, a traditional Japanese formalwear for the members of the imperial court, is depicted giving a document to a man. These depictions hint that the subject of this sugoroku was the great procession of 14th shogun Tokugawa Iemochi to Kyoto that took place in 1863.

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Nishizawa Naokichi 1891 This work is a sugoroku published in Osaka. The starting square is labeled “Saikyo,” an another name for Kyoto, the farmer capital of Japan, and the game proceeds from Kyoto to Nihonbashi. Although many modern subjects, such as people in Western clothing and trains, are depicted in the illustrations in the game board squares, there are also subjects from the Edo period, such as famous places and specialties of each past station. Some squares, such as the square for Nissaka, combine elements of both. The Nissaka square depicts the Yonaki Ishi (Night-Weeping Stone), a famous stone located along the road that was often depicted in the Fifty-three Stations of the Toukaidou Highway in the Edo period. The two men looking at the Yonaki Ishi are dressed in Western-style clothing, and while the subject matter follows that of the Edo period, it is depicted in a modern style. The final square, the goal, depicts the Seven Gods of Good Fortune in matching kimonos dancing amidst falling oval gold coins. It is as if they are celebrating the player having reached the goal.

Gosoutei hirosada production year　unknown This is a Dochu Sugoroku based on the route of the Toukaidou Highway. Each square is based on the series Fifty-three Stations of the Toukaidou Highway (Houeidou), a set of ukiyo-e woodblock prints created by Hiroshige Utagawa around 1832-33. The illustration in each square is a simplified version omitting people, etc., and there are some differences from the original illustration it is based on. However, the original essence of the ukiyo-e have been captured and incorporated into the squeres. Only the final square, the goal, is in Osaka, not in Kyoto. The illustration in this square is not based on the Hoeido edition, but depicts Ebisu. Ebisu is sipping sake in front of a sea bream served　whole, and appears to be relaxed.