Utagawa HiroshigeⅢ The production date:1875 A man is eating the local specialty of Mariko post station, tororo-jiru (grated yam soup) at a tea house. The hair cut of this man is called “zangiri-atama”, a hair style that chopped off the chonmage, the traditional topknot associated with samurai.

时至明治，府中宿被更名为「静冈」。在原来的府中宿西边的安倍川上也架起了一座桥，据说这座桥的长度约为509米。另外在实际架设的桥上设置的是瓦斯灯，而描绘在画作中的却是石灯笼。

本图中描绘着乘在船上的女性打着阳伞，是一幅在从江户时代起不变的风景中，又能感受到明治时代新意的图。

Utagawa HiroshigeⅢ The production date:1875 The electric poles were laid along the road under the Satta Pass, which extends along the beach and the electric wires connected the poles are illustrated.

画中描绘了东海道上首屈一指的急流富士川的情景。到了明治，护岸也采用石垣形式进行整修。比起用来表现湍急川流的川面的动感，背景中雄大的富士山令人印象更加深刻。

Utagawa HiroshigeⅢ The production date:1875 Since the Toukaidou Highway extends along the coastline of Pacific Ocean, if a traveler moves from Tokyo to the direction of Kyoto, Mt. Fuji usually appears from the right. However, occasionally at the section where the road is greatly curved, Mt. Fuji appears from left, and people call this scenery as “hidari Fuji”, literally means left Mt. Fuji. There are two places along the Toukaidou Highway where people can enjoy the view of hidari Fuji, one is Yoshiwara (Shizuoka City) and the other is Nango (Chigasaki City). The composition of the road winds from the foreground on the left to the back, and the Mt. Fuji illustrated on the left among the pine wood resembles to the work of Hiroshige I. During the Meiji period, the electric poles were laid along the highway and the view of the famous hidari Fuji changed its scenery.