描繪了位於富士山右東側的富士山須走門淺間神社鳥居前聚集的景象。 插圖中的人物是仙達山的嚮導，他們穿著白色的衣服，戴著草帽，戴著念珠。他們即將引導登山者。有些人背著盒子，裡面裝著三卷經。禦三福是攀登富士山後供奉神明時在神社展示的三幅掛軸。這三幅捲軸分別是表達富士神光（將富士山視為神的化身的信仰）世界觀的「大神貫」、淺間神社供奉的木花咲也姬命的肖像，以及其他神祇小禦武的肖像。

This work illustrates people visiting Kaichō by Narita-san Shinshō-ji Temple at Fukagawa Fudō-dō Temple on April 15, 1885. It is recorded that the kaichō was held for sixty days and brought benefits to ordinary people. Many people have gathered to see the hidden Fudō Myō-ō, which indicates how lively the worship of Fudō Myō-ō was at the time.

This nishiki-e satirizes the conflicts between the former Shogunate and the new government in Kantō region during the Boshin War, in the form of ordinary people visiting Narita-san. The group of people with the Naniwa-kō banner on the left represents the new government, and the group with the Edo-kō banner represents the former Shogunate. In Kantō region where many domains were owned by feudal lords or retainers of the Shogunate, battles between the invading new government and escaping former Shogunate soldiers took place in Chiba (Funabashi and Ichikawa) and other prefectures (Iwai, Utsunomiya, Oyama, etc.). Records from that time describe the uneasy atmosphere with echoes of gunfire.

When visiting Narita from Edo by boat, people first went up the Edo River and then down the Tone River from Sekiyado to the Kioroshi-Ajiki river bank, and traveled on land from there to Narita. With Mt. Tsukuba in the background, two boats with Kabuki actors heading to dedicate a large votive picture are illustrated in the foreground.

This work illustrates Kabuki actors visiting Narita-san Shinshō-ji Temple on the occasion of kaichō. Narita-san Shinshō-ji Temple has become known to many people during the Edo period thanks to faith of Ichikawa Danjūrō I. Among successive generations of Danjūrō, Danjūrō VII visited the temple every year with his disciples and made many offerings, deepening the ties between the temple and the Ichikawa family.

This work illustrates the scene in the Kabuki play “Genjimoyō Furisode Hinagata” where Hiranoya Tokubei who threw himself to the river is pulled up by the rope of Narita Fudō. Danjūrō VIII who played the role of Tokubei also fully recovered from serious illness and was saved after praying to Narita Fudō. This episode overlaps with the story of Tokubei who was pulled up from the river by the rope of Fudō Myō-ō.

This work illustrates a shrine visit by Ichikawa Danjūrō VII of Naritaya, popular Kabuki actor who took the Bunka and Bunsei eras by storm, holding a baby. The baby is Shinnosuke, born on October 5, 1823. Shinnosuke later became Danjūrō VIII.

這是《柚子念佛圖卷》的手稿。它闡述了融通念佛的起源和美德，並附有日本佛教融通念佛宗創始人龍人上人的傳記。融通念佛是透過口誦念佛，以佛的德行，使自己、他人、萬物和諧相處，將人間變成淨土的教義。為了傳播融通念佛的教義，人們製作了許多手稿。展出的作品是來自京都的日本畫家猪飼嘯谷（1881-1939）的手稿。